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Marshall Rendina (born May 27, 1986) is a composer, songwriter, visual artist, designer, poet, and author whose writings span many subjects. He was born early on a Tuesday morning the day after Memorial Day in Manhattan. His parents were members of a worldwide new religious movement at the time of his birth, and the official name on his birth certificate is Marshall Lova Young Jung Rendina. His birthplace is exactly one block west of the zero mile marker for the United Nations Headquarters District and New York City. The Songwriters’ Hall of Fame once had an office in the building, as it is in close proximity to Lincoln Center, Juilliard, Carnegie Hall, and many Broadway theaters, of which he was unaware until after college, and is yet to perform. His first home as an infant was the New Yorker Hotel, where Nicola Tesla once lived.

His parents left the religious organization in the late 1980s and they settled in Worthington, Ohio. He showed an early interest in the arts and took classes at the Columbus College of Art and Design as a child. His work was first displayed in the city hall when he was nine years old. His interests changed to music when classes were offered at his school in sixth grade, playing trombone, then flute, tenor saxophone, guitar, and eventually dedicating most of his time to piano. One early influence on him was an alternative class in mathematics in sixth grade, where he studied various forms of probability and advanced geometry, later influencing his ideas about the distribution of colored points, musical notes, and gravitational energy around a sphere, the writings about which can be found in his book, On Spheres.

He studied Western philosophy his freshman year in high school taking an interest in the generation that included Carl Jung, Albert Einstein, and Martin Buber. He also did independent projects in the psychology of both art and music in high school, one of which was with Don Jones, one of the founders of the American Art Therapy Association. He played jazz in a group at the arts magnet school Ft. Hayes in Columbus, Ohio, performing at the Columbus Museum of Art and other locations around the city. He then became interested in Fluxus, Minimalism and other experimental genres, favoring mostly solo piano music, and studying composition.

His neighborhood teacher, Dr. Marshall Barnes was a Juilliard alumni and former chair of composition at OSU, and thought that although he could play anything he wanted to, it would be more meaningful for him to pursue a variety of styles and musical activities, having a range of influences from folk, rock, jazz, and electronic music, as well as classical music. In college he studied piano with Joanne Brackeen at Berklee, having been awarded a scholarship. He participated in seminars by Meredith Monk and other visiting artists, studied electronic music, performed improvised works, and recorded with musicians from several different countries.

During the period following college he performed in venues around Columbus, Ohio, moved into a performance space after seeing Lukas Ligeti, and formed a collective of musicians to perform with that included Rocco di Pietro. In Columbus he also conversed with David Ornette Cherry during his tours, who advised him not to concern himself with what styles people call his music. Gyorgy Ligeti and Don Cherry remain among his favorite avant-garde musicians. His own work from this period integrated subjects from meditation and the natural world, especially those involving the relationship of spatial and visual aspects within music. He was awarded his first grant to complete a world music project in 2011. He also continued to write songs and record often, being influenced by jazz - especially Bill Evans, Miles Davis, and John Coltrane, folk music from the 60s and 70s - especially Nico, Nick Drake, and Joni Mitchell, and various electronic music records and soul music from Ohio.

He had considered attending Mills College in Oakland, but left just as the Occupy Oakland riots and general strike broke out. Over the next few years he furthered his interests in mysticism, psychology, sociology, ecology, physics, physiology, and anthropology, in developing a philosophy influenced by Kabbalah, Tarot, I Ching, Yoga, Zen, Alchemy, and Shamanism, to use as a basis for his workshops. The essays compiled in Towards a More Complete Understanding include a library cataloging system which can be simplified as having 22 subjects or Major Arcana. While residing in Los Angeles at the end of his twenties it took three months to catalog all of his work, which included over 2000 pages of visual and written materials and several days of audio recordings, much of which has been released on his Alphabet of Sound label.

Rendina has also written poems for 100 states of being, Other Ways of Being, an unrealized play with notes for choreography, sets or installations, and music, The Rooms based on archetypes and “keys”, and an Unwritten Constitution for a future United Nations based on his ethical writings which he hopes to use to write a novel about a fictional world.

His current writings concern the idea of religious prophets and spiritual teachers, their role in society, the problem of belief in them as well as their fulfillment of existing or written beliefs. He sees himself as fulfilling a role in assisting others to come to an ethical truth about their own thoughts and actions (self-awareness), a metaphysical truth about the soul and energy contained within (cosmic awareness), and an epistemological truth regarding the meaning behind a mythology and set of beliefs (prophetic awareness). On Oneness is his forthcoming book on mysticism elaborating on these ideas. He publishes his writings under his Alphabet of Light press.

He created his Codex of design materials after doing a permaculture workshop in Ojai using primarily circles aimed at sustainability in architecture and transportation, as well as numerous media designs utilizing sound and light, the most important of which is the only perfectly even color projection map of the world and that of the sky. While spending time in Ojai he absorbed many of the surrounding cultural, artistic, and literary influences that had resided there in the past, especially Jiddu Krishnamurti, Thich Nhat Hanh, and Marcel Duchamp.

His writings include a cosmological system that eschews variations in time and extra dimensions, theorizing that the present exists throughout the universe at a given instant, though the present on a timeline containing the past and future is by necessity a very short segment of that line, rather than a point on it. He introduces the node as a single concept unifying all forms of energy. Variations in time are attributed to changes in the speed of the orbits of nodes and other particles, and their exchanges. He has demonstrated a basic correspondence with the accepted theories of Einstein, Newton as to how the field forms around an object and decreases with distance squared, and has provided potential models of how particles in the Standard Model are comprised of nodes, making it what he considers to be a working quantum gravity model and potentially bridging the gap between particle physics and gravity.

As with Einstein he has given three consequences of his theory: that the effect of gravity ends at a certain elevation within a spherical object, where the energy is then converted to radiation and the weak force, thus explaining why the core and crust of the Earth are cooler than its mantle, and ultimately how a star radiates light; that an excess of energy apart from that causing gravity, in the order of pi around a spherical object, is to be expected and is responsible for the rotation of the earth and other objects, and for the orbits of objects around them; and that the effect of gravity is uneven around the Earth and a perfectly spherical object will not have an even gravitational field. Fundamental to his theory of gravitation is that the potential gravitational energy surrounding an object is equal to the amount of energy within it, and that only a small fraction of the gravitational field acts upon an object at a given time, explaining the disparity between the strength of gravity and that of the other forces of nature. Another important consideration is that an object may need a minimum mass or energy content and relatively spherical shape for a gravitational field to form. He has also written about several novel ideas in set theory and logic, and about the definitions of fundamental concepts in mathematics, which he used to create a map of the subjects in his library system as a Tree of Knowledge.

He posits that because the potential gravitational energy around an object is equal to the energy within the object in this conception, the same is true of the body, though a gravitational field does not form, and thus explaining concepts such as the etheric double in Theosophical writings, or simply the energy body, as well as auras and other universally experienced phenomena in parapsychology and mysticism, especially synchronicities and precognitive phenomena, clairvoyance, and channelings and readings of the Akashic or etheric records.

His work with musical harmony has demonstrated that 33 modes can be harmonized in the Western sense, having a third on each step of the scale with one note between, and of these, 17 correspond to the 72 melakarta ragas of Southern Indian music, leaving 55 additional melakarta ragas that cannot be harmonized, for a total of 88, each of which may correspond to the 36 black keys, for half the ragas, and 52 white keys on a piano for the remaining ragas and scales, as well as the 36 modern constellations of the Northern and 52 of the Southern sky. This discovery is the basis of his book on musical composition, On the Elements of Music.

His Constellations recordings unveil the mystical numerology of music, having 12 pitches (zodiacal signs) yielding the 24 known major and minor keys (hours); 28 scales with seven notes that can be harmonized (lunar month) leaving 60 others (minutes), five additional scales constructed from either two augmented triads or two diminished seventh chords for 33 (the master healing number), seven notes in the four parent scales of major, melodic minor, harmonic minor, and harmonic major (days of the week), three scales with six notes for 666, and two with eight notes completing the 88 keys.

He has developed a system demonstrating the correspondences between the visual and music for one of his workshops and has also made investigations into the three dimensional localization of sound and its relationship to harmony in his music, as harmonics present in sound lend themselves to its localization. He believes that ultrasound will eventually be the primary means to eliminate invasive illnesses from the body, with few negative side effects. He also supports the idea that audible sound has general health benefits, especially for the tissues and organs in reducing tension, and for overall peacefulness of mind.

His interest in religious iconography in the Jungian sense and parapsychology has lead to his own conclusion that the 9/11 attacks were a reference to the Ten Commandments. The Ten Commandments are numbered Exodus 20:1 to Exodus 20:17, corresponding to the years 2001 to 2017. The statement of the acts thus being, “Thou shalt not bear false witness against your neighbor, though shalt have no other gods before me, though shalt have no other gods before me.” A third recapitulation of the first commandment, and possibly the second commandment may be considered for the year 2001, being directed toward a graven image of god as Liberty on the dome of the Capitol Building; The Pentagon in reference to the ninth commandment, and World Trade Center’s Twin Towers in reference to the first commandment. The first version of the iPhone and had 20 icons, 16 of which could be moved, and may symbolically represent society’s collective manifestation of the Ninth Commandment, Exodus 20:16, “Thou shalt not bear false witness against thy neighbor.” The World Trade Center has also been redesigned as a single building, symbolizing an alchemical form of conjunction in which the opposing energies have been dissolved.

He gave Terry Riley, a formative influence, one of his first scores, Moon Phases, early in 2017, having begun writing the piece as an homage to In C while he was in high school and finished in 2010. His music has also come under the influence of Terry’s son Gyan Riley after seeing him perform at the Harrison house in Joshua Tree. He recorded three double records of piano music in 2018 for the first installment of his workshops among many pieces of visual art and written materials. His recent piano music is a potpourri of Indian ragas, jazz, counterpoint, polyrhythms, and Eastern melodies, intended to invoke the alternate states of being in dreams and meditations. Rendina is a vegan.